The book "Let's take a souvenir photo" written by Mohammad Reza Yousefi was awarded at the 38th Book ...

Venus Mosconi: Mohammad Reza Yousefi, born ۱۳۳۲ in Hamadan, author and نظریهپرداز the literature of children and adolescents. The first work of fiction, her "year of delivery was the" Year Of ۱۳۵۷ released. He besides داستاننویسی for kids, to نمایشنامهنویسی and فیلمنامهنویسی also busy. He is a graduate the History Faculty of the Faculty of literature and Humanities of University of Tehran is ever more than two hundred effects, mostly fiction for kids has released. Yousefi year ۲۰۰۰ Award nominee, Hans Christian Anderson, and won the diploma افتخارIBBY is also. But what was triggered in File "love in literature, and came to him go, one rewrite, poems, wise Abolghasem ferdosi from the order to نثری fluently and read with complexities and فضاسازیها and تصویرسازیهای specific and convert them into stories for the kids was the other reason for the publication of The پنججلدی "lovers anonymous". Yousefi on the reread the stories of the Shahnameh سفرۀ love very broad, wide and the kinds of it. The stories of the famous romance Shahnameh, because Bijan and Manijeh, and Khosrow and Shirin to tell the story of the love of a mother because of water., the wife of Siavash and pirano ویسه the captain of the Afrasiab are committed to landing and narrative, the love of a mother. Continues the story of Frank, mother, Fereydoun and his love to her baby's, too, the narrative has. In the first book of this set, the stories of Frank, wife of Abtin and the mother Fereydoun, etc. Zal, and how nurturing she is ambiguity. rudaba and her love for Zal, etc. تهمینه and love him to Rustam, etc. گردآفرید and his love, to Sorab, and. S and his love, to Siavash, etc. خوبچهر mom, Siavash, etc. Farangis and water wives, Siavash has come. The second volume also to the stories of Manijeh and Bijan, etc. Katayoun and of Garshasb game, etc. فغستان and Alexander the Macedonian, etc. cherished, and Artaxerxes, etc. meftun and فرخپی, etc. گردیه and sweet, and Kh is dealt. Set پنججلدی "lovers anonymous," also that, based on the tales of the folk written "عاشقانهای to thin hair" and "Sarah and the waves love Oras", The "درناهای love", "the love of the mermaid to the narrative water" and "the Wolves also love are" called. Continue the conversation, we with the author of the prolific the occasion of the day of children's literature and reading-to-date ۱۸ تیر ۱۳۹۹: کافه story: during all these years in the field of children's literature and activities, you. directly and specify the presence of love in this sphere, how different? محمدرضا Yousefi: this is a very important topic. Seems to me this issue goes back to the structure of our literature after the revolution. After the revolution, the structure of children's literature basically state it is. Namely, a series the politician behind the curtain, there are, as the publisher and the supplier that, even in the private sector, also are present. The shadow of the heavy public sector on children's literature, etc. causes a series سوژهها such as love, such as the rights of the child, and a series of social issues related to the child to form every odd and vague. The hegemony of the powerful is a series سوژهها will delete the and a monitor ideological, moral, literature, baby cheeks, and gets on their own a situation comes that one of those conditions is love. Even in the saga folk, which is a part of the literature of yogurt and its inspiration takes place. For this reason, saga of romance in the works, the native rarely one can find. Unfortunately, the concept of love even in the literature of the native and folk music, too, is censored. After the revolution, all the ones that دستاندرکار literature and were, and are, in Field, home, knew, and slowly learned that should not be a series of the subject's work. Those were special occasions for the writing but for the sake of this that the publisher did not accept, writing did not. One of the subjects under the censorship., the epic and the Shahnameh was. For example, حماسۀ Siavash that I had written in. fifteen years in the home stay. Of course, to a few publisher, I proposed, but this سوژهها the time so bought was. Right now, not. کافه story: now, in the case of literature, the epic Change found a? یوسفی: too low. For example, my collection of Shahnameh's in the hands of myself. I know what issues there are. However, because the public sector has realized that our society transform and spectral from the children folklore and culture ملیشان want and like. Anyway, a head of the flow to the IS connected, and should a book be produced that would sell. In the result of a portions of the epic story are, unfortunately, often is too weak. Because occasionally produced, and it's the size that the public sector on the saga of the revolution and the war... and energy character. the permission to work on other things the Epic does not. Love is also one of the subjects نفرینشده be. Even at the beginning of the خالهسوسکه also برنمیتابیدند. When my story, "Sarah and waves lover, Oras" that one tales, folk is for the novel I wrote, which again was reprinted., the publishers state, this model stories in print, did not. I Sarah to a publisher of the unknown called "the point" I gave that to the darkness went the other Genesis is not, and even when I wanted books reprinted, I think, I was the publisher I find. We have this problem in the adult literature, to this form do not. Adult literature varies, and the world has its own, and the public sector has failed in that section to be entered. But in the publisher, and the author has produced; the critic made and all the things you have. With this foreground, etc. concern a writer who wants romance novels have a talent that to this form of preservation, etc. is high. Because of this censorship, this نویسندهها could not write, and not scouting this subject. Each نویسندهای in this field of memories there. The effect of this thinking, I don't know where. Love why should not be in there child there. Don't human without love is iron; can is stone. This ideology and this kind of thinking with the same shadow of the heavy growth still is. May Essen, we change the way in some private publishers have, but the publishers state still based on the work. کافه story: uh ...

Biography of Mr. Mohammad Reza Yousefi Child and Adolescent Writer (with Interview Video) Mohammad Reza Yousefi, author and theorist of Iranian Children and Adolescent Literature was born in 1953 in Hamedan. The autobiography of Mohammad Reza Yousefi is as follows: I "Mohammad Reza Yousefi" was born in October 1943 in Hamedan and studied in the same city. In 1973, after graduating with a degree in literature, I came to Tehran and studied history at the University of Tehran. At the same time, I collaborated with student theater groups. My first book was published in 1978 under the title "The Year Was Delivered". Since 1986, I have been seriously writing for children and adolescents, and so far I have published more than two hundred and fifty books, mostly fiction. My I also work in drama and screenwriting, but if I want to escape my childhood and adolescence, I have to say that my childhood was spent in ice and snow and hardships and stories. As far as I can remember, I dreamed of having a plastic car. And in its evolutionary form, I waited for years and years to reach a bicycle, but I never did. Of course, I wrote part of this time in a novel that has not yet been published. But what can be explained and remembered is life itself, which was full of sighs, despair and hope. I was the fifth child in the family, and my hard-working father did not have the opportunity to be with us for a short time. He worked from morning till night and I always saw him angry to be happy. Roozgar was unkind to him, he did not follow the path of his dreams, and what better place than the wall of the house where he screams! He was even angry while praying. When I was a child, I felt that Mr. John - we used to say that to my father - was also fighting with God! If I had not done unjustly to my good sir, the man of hard work and effort, and called him a night, I would not have spoken in vain; Because he was like a night full of mystery and complexity to me. I could never delve into the world of his mind. He loved me very much among my brothers and sisters, but for work and work and work. It was as if he did not have the opportunity to speak. For this reason, it was like an undiscovered, alien and mysterious night, and twice as much, my mother was a "mother" who had a fluid and clear world full of stories, proverbs, songs and love. I learned everything from her. He had a memory of the vastness of the seas and it never ended. He loved and spoke to us in a thousand words, even though he was a quiet and self-absorbed father. He was blistering, sitting on the porch of the house and smoking a hookah and telling stories to me and the others. I love sparrows very much; Maybe it has its roots in my childhood when I slept next to my mother and listened to her hookah, and I will never forget the sunny kindness on her face. He told me many stories and the sparrows chirped. The children of the tribe called her "Aunt Sooti" because she whistled while praying and pronouncing some words and I enjoyed the same whistle and played with her mud rosary. I would. It is a blessing to have a teacher of storytelling and art as a child, when he can not write a word. I was like that and my mother was and is my first and last teacher. My adolescence has been spent in hard work and hardship. I was a butcher student; The weaver, the coffee-maker apprentice, the shepherd, the wanderer, the shoemaker apprentice, the bookseller apprentice, and other occupations that may be available to a low-income child, I have often done all I can to learn a lesson. In those days, everyone's future is a lesson And reading was tied. Tomorrow was dark and empty without a document. That's why I did all kinds of gambling. If I learned football, it was to bet; Otherwise, she herself was not attractive to me in the beginning. In an environment full of corruption, crime, and misery, while I was living, my mother was always with me with that kind, calm voice, and I was childishly ashamed of her and did not go to indecent things. Once the chicken of the mosque I kidnapped the Jews and then we went to Lou, I was so embarrassed by my mother's silence that I cried and she did not say anything; But I became hot silver and did not go for it anymore. Mom had taught us since childhood that we should be hardworking and hardworking, and she herself was a teacher in this regard who did not speak and showed everything in practice. I said, my adolescence went through a line of work and effort and hardship, and I said somewhere that I did not have the opportunity or time did not give me time to think about my dreams, tomorrows and future. In the same way, not mushrooms, we were like a branch of a geranium flower on my mother's soul and we were going and what a sea she was! \ \ \ \ Interview video with her: Some of the author's works in other languages ​​such as, English, Italian, Armenian, Russian, Chinese, Korean, Istanbul Turkish, and other languages ​​have been published. Mohammadreza Yousefi is a writer of over three hundred. The work has been published in various fields and has won many awards and titles: nominated for the Hanschristine Andersen Prize in 2000, received the ibby plaque in 1996 from the Netherlands, and received the same plaque in India in 1998, such as "A Girl Is Born", "Colors", "Guatti" and other books as selected books in the Munich Library, "Green Planet Girl" nominated for the award Karyama in the United States, special guest at the International Library of Sweden and Norway, special guest at the Berlin Congress, and various other world titles. Print works in various languages ​​of the world, such as English, Italian, Russian, Chinese, Armenian, Korean, and other languages ​​...

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