Venus Mosconi: Mohammad Reza Yousefi, born ۱۳۳۲ in Hamadan, author and نظریهپرداز the literature of children and adolescents. The first work of fiction, her "year of delivery was the" Year Of ۱۳۵۷ released. He besides داستاننویسی for kids, to نمایشنامهنویسی and فیلمنامهنویسی also busy. He is a graduate the History Faculty of the Faculty of literature and Humanities of University of Tehran is ever more than two hundred effects, mostly fiction for kids has released. Yousefi year ۲۰۰۰ Award nominee, Hans Christian Anderson, and won the diploma افتخارIBBY is also. But what was triggered in File "love in literature, and came to him go, one rewrite, poems, wise Abolghasem ferdosi from the order to نثری fluently and read with complexities and فضاسازیها and تصویرسازیهای specific and convert them into stories for the kids was the other reason for the publication of The پنججلدی "lovers anonymous". Yousefi on the reread the stories of the Shahnameh سفرۀ love very broad, wide and the kinds of it. The stories of the famous romance Shahnameh, because Bijan and Manijeh, and Khosrow and Shirin to tell the story of the love of a mother because of water., the wife of Siavash and pirano ویسه the captain of the Afrasiab are committed to landing and narrative, the love of a mother. Continues the story of Frank, mother, Fereydoun and his love to her baby's, too, the narrative has. In the first book of this set, the stories of Frank, wife of Abtin and the mother Fereydoun, etc. Zal, and how nurturing she is ambiguity. rudaba and her love for Zal, etc. تهمینه and love him to Rustam, etc. گردآفرید and his love, to Sorab, and. S and his love, to Siavash, etc. خوبچهر mom, Siavash, etc. Farangis and water wives, Siavash has come. The second volume also to the stories of Manijeh and Bijan, etc. Katayoun and of Garshasb game, etc. فغستان and Alexander the Macedonian, etc. cherished, and Artaxerxes, etc. meftun and فرخپی, etc. گردیه and sweet, and Kh is dealt. Set پنججلدی "lovers anonymous," also that, based on the tales of the folk written "عاشقانهای to thin hair" and "Sarah and the waves love Oras", The "درناهای love", "the love of the mermaid to the narrative water" and "the Wolves also love are" called. Continue the conversation, we with the author of the prolific the occasion of the day of children's literature and reading-to-date ۱۸ تیر ۱۳۹۹:
کافه story: during all these years in the field of children's literature and activities, you. directly and specify the presence of love in this sphere, how different?
محمدرضا Yousefi: this is a very important topic. Seems to me this issue goes back to the structure of our literature after the revolution. After the revolution, the structure of children's literature basically state it is. Namely, a series the politician behind the curtain, there are, as the publisher and the supplier that, even in the private sector, also are present. The shadow of the heavy public sector on children's literature, etc. causes a series سوژهها such as love, such as the rights of the child, and a series of social issues related to the child to form every odd and vague. The hegemony of the powerful is a series سوژهها will delete the and a monitor ideological, moral, literature, baby cheeks, and gets on their own a situation comes that one of those conditions is love. Even in the saga folk, which is a part of the literature of yogurt and its inspiration takes place. For this reason, saga of romance in the works, the native rarely one can find. Unfortunately, the concept of love even in the literature of the native and folk music, too, is censored. After the revolution, all the ones that دستاندرکار literature and were, and are, in Field, home, knew, and slowly learned that should not be a series of the subject's work. Those were special occasions for the writing but for the sake of this that the publisher did not accept, writing did not. One of the subjects under the censorship., the epic and the Shahnameh was. For example, حماسۀ Siavash that I had written in. fifteen years in the home stay. Of course, to a few publisher, I proposed, but this سوژهها the time so bought was. Right now, not.
کافه story: now, in the case of literature, the epic Change found a?
یوسفی: too low. For example, my collection of Shahnameh's in the hands of myself. I know what issues there are. However, because the public sector has realized that our society transform and spectral from the children folklore and culture ملیشان want and like. Anyway, a head of the flow to the IS connected, and should a book be produced that would sell. In the result of a portions of the epic story are, unfortunately, often is too weak. Because occasionally produced, and it's the size that the public sector on the saga of the revolution and the war... and energy character. the permission to work on other things the Epic does not. Love is also one of the subjects نفرینشده be. Even at the beginning of the خالهسوسکه also برنمیتابیدند. When my story, "Sarah and waves lover, Oras" that one tales, folk is for the novel I wrote, which again was reprinted., the publishers state, this model stories in print, did not. I Sarah to a publisher of the unknown called "the point" I gave that to the darkness went the other Genesis is not, and even when I wanted books reprinted, I think, I was the publisher I find. We have this problem in the adult literature, to this form do not. Adult literature varies, and the world has its own, and the public sector has failed in that section to be entered. But in the publisher, and the author has produced; the critic made and all the things you have. With this foreground, etc. concern a writer who wants romance novels have a talent that to this form of preservation, etc. is high. Because of this censorship, this نویسندهها could not write, and not scouting this subject. Each نویسندهای in this field of memories there. The effect of this thinking, I don't know where. Love why should not be in there child there. Don't human without love is iron; can is stone. This ideology and this kind of thinking with the same shadow of the heavy growth still is. May Essen, we change the way in some private publishers have, but the publishers state still based on the work.
کافه story: uh ...
Tehran